Out of the Shadows: Public Banking for Municipal Finance

By Tyler Suksawat & Scott Ferguson

Editor’s Note: The following essay, originally published on March 3, 2026, offers a foundational theoretical framework for what has since been concretized as The Seattle Loop. The Seattle Loop is a fiscal strategy that utilizes municipal banking to purchase city debt, “looping” interest payments back into public provisions like social housing and green jobs. While this piece was written prior to our specific pivot toward the Seattle-based organizing effort, it articulates the core logic of public credit and municipal finance that underpins the current project.

In a recent essay, we advanced a proposal for sub-federal governments to sell municipal bonds to their own public banks. We took the city as our primary point of departure, but the same lessons are applicable to U.S. counties and states. Establishing a public bank that regularly purchases municipal debt, we argued, would not only significantly expand a city’s fiscal capacity to support its communities and environs, but also reclaim regional public finance from a parasitical and punishing bond market. 

Since the publication of our essay, some commentators have criticized the proposal for involving city finance in so-called shadow banking, precisely because it places public credit creation outside traditional private capital markets. Such concerns are rooted in a legitimate wariness toward the unregulated and often fragile credit structures that trigger financial crises. However, this criticism fails to distinguish between speculative private ventures and institutionalized provisioning by the municipal public purse. Indeed, such a critique mistakes the absence of private middlemen for a lack of financial oversight and security. Our plan, by contrast, replaces the opaque and volatile shadows of private intermediation with a transparent, public-facing mechanism anchored in the enduring fiscal authority of the city government.

Today, municipal finance remains trapped in an exploitative and convoluted cycle. When a city issues debt, it is immediately subjected to a gauntlet of private intermediaries: banks underwrite the bonds, rating agencies perform a gatekeeping function via risk assessment, and institutional investors claim interest as a form of social rent. Crucially, these investors are often not traditional depository banks, but rather volatile non-bank entities such as money market mutual funds and hedge funds, which treat municipal bonds as liquid shadow money to be leveraged for short-term gain. As it stands, then, the public purse is already precariously entangled in shadow banking, with municipal debt serving as a primary asset for the volatile and uninsured money markets that dominate the status quo. Every stage of this process, meanwhile, is governed by a “fiscal discipline” that prioritizes private profit over public need. Thus, far from a stable, above-board process, the current municipal model represents an architecture of austerity that embeds the public interest within the murky, predatory, and destabilizing mechanisms of market-based finance.

Our proposal replaces the fragility of the shadow market with an architecture of public provisioning. Before we turn to the specific mechanisms of financial stability, we must first establish the basic institutional design. We propose a publicly owned institution with chartered banking powers–including direct access to the Federal Reserve’s discount window–that allows the city to bypass the private gauntlet and recapture its own credit. Under this arrangement, the interest generated by municipal debt is no longer captured as social rent; instead, it is credited back to the issuer’s general fund. While both the private market and our public model acknowledge that credit is fundamentally elastic, the divergence lies in who controls and benefits from that elasticity. By internalizing debt service and neutralizing the power of rating agencies, our proposal transforms the financial model from an extractive regime into a regenerative one.

This formalization—grounding municipal debt finance in a chartered public bank, regulated oversight, and direct access to central bank liquidity—moves our model firmly into the light of the regulated banking system. If critics wish to argue about the risks of aggressive credit expansion or the blurring of fiscal and monetary lines, those are legitimate debates over localized monetary and credit governance. But to label a chartered, transparently regulated public utility as “shadow banking” is a category error. Our plan does not evade regulation; it institutionalizes public purpose through it.

Regarding the safety of deposits, public ownership is no barrier to FDIC insurance. A state-chartered public bank meeting standard capital and supervisory requirements can qualify for federal backing. However, even in the absence of the FDIC, the Bank of North Dakota provides a proven roadmap: deposits can be backed by the full faith and credit of the municipal government itself. In this architecture, deposit safety is a design constraint managed through robust capital buffers and strict regulatory adherence, rather than an impossibility.

In this context, the risk of default on deposits is a feature of any bank lacking sufficient capital or insurance. Critics often raise the specter of “portfolio concentration,” but a public bank purchasing its own city’s bonds is simply internalizing fiscal risk. This shifts the concern from “depositor loss” to the broader question of municipal insolvency–a condition that, in our schema, is mitigated by the bank’s ability to coordinate with the city’s broader fiscal agenda. We address concentration not through the fickle discipline of the bond market, but through diversified asset management and the elimination of capitalist underwriting.

The most powerful engine of this model is its mandated retention and concerted utilization of public deposits, serving as a foundation for proactive public provisioning. By directing city payrolls, vendor payments, contractor accounts, and the collection of taxes, fines, fees, and even utility payments (as seen in Seattle) through the public bank, we create a massive, stable foundation of liquidity to be deployed for the common good. This capacity becomes particularly transformative when paired with a local Job Guarantee program. The bank provides the strong accounting infrastructure for such a program, ensuring that municipal payrolls for public works are settled within the public’s own credit circuit to build and sustain community wealth. Consequently, the interest payments that currently “leave” the city as social rent are instead retained, further expanding the city’s financial system and its capacity to support collective wellbeing with every cycle.

Finally, we must correct a persistent metallic-standard myth: the idea that a bank’s ability to purchase bonds is constrained 1:1 by its existing deposits. As any modern banker knows, loans create deposits. Banks expand their balance sheets first and manage reserves afterward. The true constraints on our model, then, are not “available deposits,” but rather regulatory capital ratios and liquidity coverage rules. We acknowledge these constraints and embrace them. Our goal is not to evade regulation, but to use the inherent elasticity of credit to activate municipal democracy and provision the public good.

Democratic Finance for New York City’s Budget Dance

By David I. Backer

I’m a professor of education policy and teach classes on public finance. I make it my business to know the government’s business, and I live in Brooklyn, so I’ve been paying close attention to the city’s finances as the new Mamdani administration takes power. In my work, like my recent book on school finance, I try to make the otherwise arcane and hard-to-understand world of municipal finance more comprehensible to the people impacted by it.

Zohran Mamdani recently (and admirably) announced a $12.2 billion city deficit left by the Adams administration, which, in the barbed choreography of the New York City budget dance with New York State, Mamdani revised down to around $6 billion. In the manic moves of that dance numerous dirty details are coming out about the booby traps Adams left Zohran, and the treacherous terrain of the city budget generally. 

I think I found another obstacle-feature of that terrain that I haven’t seen reported elsewhere. Untangling it helps to zoom in on the complexity of this budget process, which everyone cares about and no one understands, with an eye towards transforming the whole nasty apparatus (which, by the way, is why we need participatory budgeting on a mass scale). 

The thing I’m seeing is a big jump in city debt service payments next fiscal year, FY27 and FY28. 

In Andrew Perry’s excellent piece on Mamdani’s first budget, it’s notable that debt service—what the city forks over in its yearly repayments to creditors—is the fourth largest broken out category of NYC public finance:

It’s not a huge expense in raw numbers, but it’s relatively big one in the overall scheme of city budgets because debt service comes to bear on the city’s capability to pay back its creditors, and thus can impact its credit rating, fiscal stability, and ultimately the patina of fiscal responsibility of whoever’s in charge at the moment. So even though it’s 6% of the budget, it’s a big 6%.

When I was reading one of Brad Lander’s last comptroller reports, along with updated data on the city’s debt profile, a graph caught my attention.

On the left side of this graph, you’ve got the debt service the city owes. On the bottom, you have the year it’ll owe that amount. It goes from this year to 2060, when many long term bond obligations get “paid off” (though of course they never really get paid off because US municipal finance has a debt wish). 

But the colors are important too. In blue you’ve got the principal, which is the amount of the city borrowed, and in red you’ve got the interest, which is what the city pays to borrow that money. It’s the price of credit. 

First, before anything else, look at all that red interest we have to pay. Municipal bond interest payments are basically a huge tax that New Yorkers and everyone else in the country don’t really know they’re paying. For every dollar we give the city, using Perry’s chart above, we pay six cents on the city’s debt service. When we look at the red section, we see about three of those cents just go towards the interest on our loans. A lot of rich people make bank on lending to us so we can have a city. 

But that’s not even the pressing issue here.

Second, look at the huge jump in debt service obligations through 2028. It more than doubles from $2 billion to $4.5 billion. What’s happening here? 

According to municipal finance researcher Tom Sgouros, who I talked to about this situation, there could be a number of explanations here, none of which we know because we weren’t putting this debt service schedule together. All those interest payments come on debt with different interest rates, so maybe the comptroller’s office, which, in this case, was under Brad Lander, they prioritized paying higher interest debt first. There could have been a plan to defease (moving it into a separate fund, sort of like refinancing and reinvesting to get rid of it before paying it off) some debt earlier rather than later. 

What we know is that there’ll be a period of lower payments, according to this debt service schedule, after which those payments will jump up again by double. And its not just another city expense, it’s the repayment of loans taken out to finance everything else in the city. 

One conspiratorial interpretation: Perry notes a practice called “surplus roll” where “the City dispenses its surplus by prepaying subsequent year expenses… In fiscal year 2025, for instance, the City accrued a $3.8 billion surplus. It booked this as 2025 spending in the form of prepaying spending liabilities in fiscal year 2026.”

So one theory is that the Adams administration scheduled a certain amount of 2026’s debt on Zohran’s behalf without asking him first, shouldering Zohran with the payments with a big jump in 2028, threatening Mamdani’s spending power. It could be the surplus roll because these numbers above are in the Q1 2026 debt profile. When we look at the Q4 2025 we don’t see that same jump.

And yet, it might not be a surplus roll. It might be the non-malign planning to pay certain debt off at certain times, innocent defeasing. It might not be political at all. To everyone except the people working for Mark Levine, the new Comptroller, and maybe a handful of others, the process is opaque. 

All this gives you a sense of what the Mamdani administration will actually be dealing with in terms of its debt needs. It looks to me like the debt service will jump up dramatically whether that’s due to a possible surplus roll by the Adams administration or other maneuvers. As it stands, Mamdani will have to pay more in debt service during two years of his time in office to get less revenue to the diverse working class he’s promised to serve. 

All this also broaches the question of what to do about this issue of nagging debt service. There’s the short-term process of the city’s Tin Cup Day where the mayor goes to ask for money. But we know that Mamdani and company want to challenge these old dynamics. Why not take up some medium-term measures, and maybe champion longer-term transformations, that make this arcane debt service stuff a relic of the past?

The Mamdani administration, drawing from this publication’s framework of Democratic Public Finance, could use this as an opportunity to spell out a radical alternative to the present system. They could, for example, renew support for a city-owned non-profit public bank which, like the Bank of North Dakota (built by prairie socialists in the early 20th century), can buy NYC munis and deposit the interest back into the city’s general fund

The result would begin to drastically decrease the amount the city owes in interest payments. Along the way, Mamdani could call for a permanent MLF at the Fed that provides zero (or next-to-zero) interest rate financing. More radically still, he can also argue that Congress should extend credit creation powers directly to states and municipalities, a long term goal that would force the public to debate and think differently about municipal finance. 

These are broad, sweeping proposals. Are there things that the administration and their allied coalitions can put in place in the next couple years to achieve local versions of the same interventions, working towards transformation? I’ve been keeping a running list of fun brainstormy revenue ideas and, by way of open-ended conclusion, offer them here for readers’ perusal. My specialty is education finance, so the proposals are skewed towards education, but they could be adapted for other arenas of municipal finance as well.

  1. Issue taxable bonds to friendly foreign government entities with our values (the governments Bernie always mentions): reaching deals with Canadian pension funds, Scandinavian sovereign wealth funds, etc.
  2. Strengthening and integrating the Education Construction Fund to borrow for combined housing and schools financing, synthesizing borrowing capacity of the New York City Transitional Finance Authority with the ECF. There could be savings when staggering borrowing between both of them. (Combine this option with (1) to issue the taxable bonds through here.) The last bond ECF issued was in 2021 and apparently there isn’t good coordination between the Panel for Education Policy and ECF.
  3. A municipal minibond program that reaches out to communities to invest in their specific schools, matching monies with citizen participation. This would be a more socialist version of Berkeley’s proposal.
  4. Call NYC’s Build America Bonds on the grounds of extreme circumstances like the University of California system and the Maryland Transit Authority and potentially save hundreds of millions.
  5. Create a city bank, a nonprofit corporate entity specifically, and restrict public monies to deposits in non-profit cooperative entities, such as the bevy of diverse community development financing institutions (CDFIs) throughout the city, put the city’s deposits there, create public bank accounts where the residents are voting members and create a public lender (hat tip to Whitney Toussaint for this idea). Save on borrowing costs to big banks. Then create investment funds for middle income supporters to move their savings/retirement, get in on the dash for retirement investment with a public option.
  6. Design an online game for NYC that is very low cost and super fun, less than a dollar. Use message boards and DMs for announcements and citywide municipal discussion (towards mass participatory budgeting potentially).
  7. Permit Community Education Councils to create public digital currencies that residents of CECs can purchase and sell for educational services, whose revenues go directly to the CEC budgets, managed by a rotating committee of school community members. 
  8. Penny sales tax for specific projects through referendum vote (ESPLOST), like they do in Georgia. It’s a good political move: pay a penny more for your kids’ schools, eg.
  9. Create a regional borrowing authority where districts around NYC deposit reserves and lend to one another at lower rates.
  10. Pool pre-k afterschool tuition revenues in a single municipal account, invest the funds, and supplement the program’s funding with interest thrown off by the account. Ask pre-k centers to deposit with the county which then invests the funds.
  11. A city-run secondary market for used stuff that you’d put out in the street: like a public Facebook marketplace that takes a few cents from transactions or posting fees that go right into specified city programs.
  12. Allow wealthy residents to participate in auctions where they bid to pay one-time amounts to delete debt outstanding from certain funds instead of regular tax filings, like Building Aid Revenue Bond debt, thereby paying down that debt and creating borrowing capacity, while putting the rich in a weird position. Make it public and fun, like a kind of date auction, but it’s a debt auction. This wouldn’t be a secondary market trading on the debt itself but rather a traditional auction, with the rich outbidding one another to pay off city debt. (Maybe via some kind of low cost fun items of city lore, like subway tokens.)
  13. Create a municipal digital currency for the city that every resident receives a certain amount of, pegged at being worth more than the dollar (a Knick or Met could be the name). For activities the federal government undertakes in the city that threatens the city’s home rule charter, the Feds must pay a tax or purchase the currency. Locally owned and worker-owned businesses receive exemptions from the currency’s tax.
  14. Create a Parent-Teacher Association account where all PTA money is deposited and invested. The interest on the account is used to finance schools whose PTAs don’t have as much money as other PTAs.
  15. Politicize the discount rate set for city pension contributions, holding listening sessions and public events about whether to set the rate higher (which could save hundreds of millions of dollars, even if raised by 25 basis points). Make this about the people’s investment rather than investors. Then politicize the discount rates used to set repayment terms on city issued bonds, deliberating publicly on whether there’s savings there.
  16. Work with the New York Green Bank to package up green projects around the city, standardize their contracts, and mobilize private investment towards the projects further. Have them create a special instrument for city pension funds to purchase in large sizes. 
  17. Work with the NYCEEC (the New York City Green Bank) to expand investment projects across state lines, particularly to cities in red states suffering from Trump-induced disinvestment in green projects (try to work with rural communities too to build solidarity there). To avoid the risk of NYC profiting off of others’ misery, the city could follow the lead of the Yugoslavian approach to international development as per the Non-aligned Movement and structure the loans across state lines with solidarity as a framework for the loan terms.
  18. Pass a law through city council that gives city pensions first bidding rights in competitive sales of city bonds, even before private banks, lowering the underwriters discount cost to the city.
  19. Sell taxable bonds with the explicit purpose of arbitraging revenues.
  20. Coordinate school district bond sales around the state and pool them together into a loan product for the green banks to sell for green projects. Provide technical services through the School Construction Authority for districts around New York State to green their infrastructure.
  21. Do a deal with a dollar pizza network. Designate certain spots as health areas and provide city subsidies for taking care of unhoused sick and hungry people. The contract has to stipulate that the city gets a percentage of the returns, like a big investor, then leak that info to private equity funds to push investment in the dollar pizza network. Flush with more cash, get the network to build bigger spaces. Make the dollar pizza network a meme stock that takes on the financial elite on Reddit to flood it with cash.
  22. Make every road a toll road for federal agents driving in the city using license image cameras. 

Reclaiming the Public Interest: Cities Should Sell Municipal Bonds to Their Own Public Banks

By Tyler Suksawat & Scott Ferguson

Editor’s Note: The following essay, originally published on February 22, 2026, offers a foundational theoretical framework for what has since been concretized as The Seattle Loop. The Seattle Loop is a fiscal strategy that utilizes municipal banking to purchase city debt, “looping” interest payments back into public provisions like social housing and green jobs. While this piece was written prior to our specific pivot toward the Seattle-based organizing effort, it articulates the core logic of public credit and municipal finance that underpins the current project.

What chance do local governments have in fighting authoritarian austerity, especially when they are left to rely on feckless legislators at the state and federal levels who refuse to push back? Right now, we see austerity budgets appearing across every institution and major employer in the U.S. If the federal government continues to sabotage municipalities, and the state governments (even in liberal states) are proposing cuts-only budgets, then what hope do cities have? In truth, there are several meaningful alternatives to the present order, particularly if we follow the lead of what Money on the Left calls Democratic Public Finance. We only need to get creative about local monetary design. 

Extending money creation powers from the federal level directly to local governments remains an urgent political project. In the meantime, however, we propose that a powerful public option for municipal finance exists at the intersection between bond issuance and public banking. What if a city established a public bank and that public bank regularly purchased the city’s debt? Such a mechanism would liberate the city’s munis from private bond markets and punishing rating agencies, while expanding the city’s fiscal capacity beyond projected tax revenues. 

To understand why this works, we must discard a pervasive myth: banks do not lend deposits. They create credit “endogenously” through acts of authorization. Banks certainly have to meet liquidity and reserve requirements. However, meeting such requirements is a separate matter from crediting operations, which are legally enabled and protected by the Federal Reserve. A bank’s crediting operations do not recycle a limited pool of pre-existing investor funds. They actively expand the amount of total credit that is presently available. 

Therefore, when a public bank purchases its own city’s municipal debt, the result is not a closed loop in which a finite amount of money is passed back and forth. Because the public bank actively generates money to purchase the debt, the operation dramatically enlarges the city’s fiscal space. In such an arrangement, the municipal government acquires funds in the short term to meet community needs. The public bank grows its holdings by receiving interest payments from the city. The loops, then, are not redundant; they are kinetic. Far from an inert circuit, a public bank that purchases city debt is a dynamic design that defies the artificial gravity of austerity.

Most importantly, this arrangement halts the depletion of fiscal capacity by ensuring that debt service payments remain on the city’s own public ledger. Unlike with the private bond market, the public bank would be legally required to deposit earned interest into the city’s general fund. By cutting out the rentiers, the city thus transforms a parasitic financial drain into a regenerative cycle, guaranteeing that public interest is no longer just a yield for private financiers, but a shared benefit in the public interest.

We do not have to look far for a successful precedent. The Bank of North Dakota (BND) already acts as the depository for all state taxes, fines, and fees. While BND operates more conservatively than the model we propose—acting primarily as a registrar and facilitator rather than a direct purchaser of munis—it still remits its profits to the state’s general fund. In 2023 alone, the bank posted profits of $192.7 million. To put that in perspective, this figure greatly exceeds the $115 million in annual revenue projected for Washington State’s highly contested wealth tax proposal. For states like Washington, which rely heavily on regressive property tax levies to pay for almost everything, the BND model offers a wealth of untapped potential.

While the BND focuses primarily on state and municipal operations, if a new generation of public banks were chartered to provide consumer financial services alongside municipal finance, the benefits would be exponential. Private retail banks routinely generate massive profit margins of 15% to 30% through rapacious fees and predatory lending. Crucially, a public bank would not simply transfer this rentier model to the public sector. By functioning as a true public utility, it would offer high-quality, low-cost financial services instead. Public banks should provide an affordable, non-predatory alternative for working people. Even without exorbitant fees, however, it would still generate a robust and ethical source of revenue to be invested directly back into the community—funding the very policies, programs, and budgets voted on by the people the bank serves.

To realize this vision, establishing democratically accountable public banks—whether at the municipal or state level—must become a top political and legislative priority. Chartered as public utilities rather than profit-seeking enterprises, these institutions would be governed by public appointees and remain 100% accountable to city halls, county commissions, or state legislatures. By legally mandating that all net earnings (derived from interest and fees) be deposited back into the government’s general fund, municipalities can organically grow their revenues over time without continuously hiking taxes. As an added democratic benefit, their daily operations would be entirely transparent, with balance sheets published for the public.

The practical strength of this arrangement lies in the specific mechanics of the yield. With the federal funds rate currently sitting at a target range of 3.50% to 3.75%, a municipality could intentionally set its internal bond yields just above this floor. Because the public bank holds the debt, the spread guarantees a steady stream of revenue for the public ledger. Furthermore, by indexing the yield to the rate of inflation, the city constructs a resilient financial instrument in the face of unpredictable circumstances. Should an emergency or unforeseen project cost require rapid liquidity beyond the public bank’s immediate capacity, this competitive yield would generate intense demand from the private sector to hold the city’s munis—effectively subordinating private capital to the public interest.

Unlocking a municipality’s latent ability to sell bonds directly to its own public bank reveals a startling truth: the primary limits on local finance are not economic, but political. The constraints cities currently face are mostly self-imposed regulations—arbitrary debt ceilings or rules enforced by oversight boards captured by private banking interests. While every municipality will navigate different statutory limits on bond issuance, we can begin by maxing out current legal capacities and organizing to expand those horizons later. 

Consider the political implications for building local public capacity. Lately, wealth taxes have dominated local discussions around budget expansion. While taxing the rich remains a vital tool for combating economic inequality and checking the anti-democratic power of concentrated wealth, relying on taxation as the sole lifeline for municipal survival is politically precarious. A public bank shifts this paradigm. By carefully managing the yields and maturities on internally held municipal bonds, a city can steadily expand its general fund. Wealth taxes would no longer be a desperate necessity for basic funding, but rather one tool among many. 

Instead of begging for scraps from state legislatures or private bond markets, local governments can directly create the capacity to care for their communities. Once we are willing to get creative with Democratic Public Finance, we see that the blueprint is already here. We only need the political will to use it, guaranteeing that every local dollar created is an investment in the public interest. 

Women, Safety, and Moral Panic: From Private Protection to Public Responsibility in India

By Dr. Shikha Chandarana

For decades, women’s safety in India has been treated like a private problem with public consequences: a daughter warned to “come home early,” a student told to “stay alert,” a working woman advised to “dress carefully,” a survivor asked what she did to “invite” it. The country has learned to speak in the language of caution rather than the language of rights. What often goes unspoken is that this caution rests on a narrow idea of what it means to be a “good” woman—an idea that quietly functions as a social unit of account, against which women’s safety, respectability, and worth are constantly measured. And when outrage erupts—after a brutal assault, after a case that breaks through the wall of everyday violence—it is often followed by a familiar cycle: candlelight, slogans, a burst of enforcement, and then the slow return to normal.

But “normal” has a body count—and it has a paperwork trail. In the most recent official tallies reported to Parliament, recorded “crime against women” cases were 428,278 (2021), 445,256 (2022), and 448,211 (2023)—a scale so vast it risks becoming background noise (Ministry of Home Affairs, 2025). Within those numbers, what stands out is not the horror of public violence, but the persistence of private terror: “cruelty by husband or relatives” remains the single largest category, with 133,676 cases in 2023 (Ministry of Home Affairs, 2025). The state’s own gender compendium underlines the same truth in plainer moral terms: women’s safety is compromised first, and most often, inside the home, where “cruelty by husband and relatives” accounts for roughly one-third of major crimes against women and where a cluster of categories together make up more than 70% of recorded crime (Ministry of Statistics and Programme Implementation [MoSPI], 2023). These numbers represent the crimes reported to the authorities, but in a nation of silent women, a majority of cases remain silenced.

This violence that never becomes an FIR is even harder to face. Using survey data alongside police statistics, the same compendium notes that the share of ever‑married women aged 18–49 who have experienced emotional, physical, or sexual violence by a husband declined only marginally—from 33.3% (2015–16) to 31.9% (2019–21)—still roughly one in three women living with intimate‑partner violence (MoSPI, 2023). A society cannot police its way out of that. A nation cannot CCTV its way out of that. A state cannot slogan its way out of that.

Still, the numbers demand honesty. Rising recorded cases do not automatically prove rising violence; they can also reflect increased reporting (a claim made by the Ministry of Home Affairs)—driven by awareness, easier access to registration, and shifts in enforcement. A state can congratulate itself for “better reporting” while refusing to confront what the reports are actually saying: that women are not merely unsafe in public spaces—they are systematically harmed in the most intimate ones.

This is where the question becomes more than a data debate. Because women’s safety is not only about what happens to women, it is also about what a society believes women are for. And over the last decade, India’s political common sense has been increasingly shaped by Hindutva—a project that frames national belonging through a majoritarian religious identity and seeks to reorder the social world around that identity. In that worldview, women are rarely treated as full citizens first. Too often, they are cast as symbols: bearers of “culture,” vessels of “honor,” boundary-markers of the community. When women become boundaries, “safety” stops meaning freedom from violence and starts meaning containment—restrictions justified as protection.

The clearest example is the obsessive political energy poured into policing women’s intimacy, especially interfaith relationships. The “love jihad” narrative is not just propaganda; it has become a governing style. Scholars of Hindu nationalist statecraft describe how “love jihad” politics folds gender and intimacy into a conservative regime of control, where women are constituted as “subjects of protection” and the state claims authority to supervise personal choice (Nielsen & Nilsen, 2021). Legal analysis of “love jihad” ordinances makes the same point with sharp precision: the phrase operates as social and political control, limiting women’s free will by treating adult women as if they cannot decide whom to love or whether to convert (Sonkar, 2022). The problem here is the patriarchal logic beneath it: women’s agency is treated as a security threat, and “saving” women becomes an excuse to discipline them.

This discipline spills into streets and screens. Feminist scholarship on the contemporary moment describes a “vigilante” ecosystem where moral policing thrives—an atmosphere in which women who transgress prescribed roles (by protesting, speaking out, loving across boundaries, dressing visibly as themselves) are treated as fair game for public humiliation and punishment (Chigateri & Kundu, 2024). And online, a new front has opened: the production line of misogyny that trains young men to see feminism as a civilizational enemy. Research on the Indian manosphere documents how online misogyny can function as a pedagogy—socializing men into a digital subjectivity aligned with Hindutva politics, steeped in resentment and gender hierarchy. When misogyny becomes a political identity, women’s safety cannot be separated from the ideological climate that licenses contempt.

This is the central contradiction of Hindutva’s safety story: it speaks loudly about “protecting” women, but often in a way that relocates danger onto an externalized enemy—an “outsider,” a “predator,” a communal Other—while downplaying the violence that is statistically most common and socially most tolerated: violence within the private sphere (MoSPI, 2023; Ministry of Home Affairs, 2025). When safety is narrated as protection from the Other, the state can perform toughness without touching patriarchy. It can promise rescue while leaving women trapped in homes, in marriages, in bureaucracies, in courts with endless delays.

And so, “decades of women’s safety” becomes a story of misdirection. The argument is not that patriarchy began recently—it is older than any election cycle, older than any government. The argument is that a majoritarian ideology that treats women as cultural property deepens patriarchy’s grip by making control feel like patriotism. It tells families they are guardians of the nation when they are, in practice, guardians of women’s silence. It tells men they are defenders of honor when they are, too often, perpetrators protected by shame and impunity. It tells women they are safe when they are compliant.

This is also why the usual turn to jobs, opportunity, or “empowerment” can feel beside the point. That discourse assumes a “real world” that comes first—where culture is already settled, women are already legible as subjects, and rights can be exercised as if the main barrier were access. But women encounter politics upstream, long before any job offer: in warnings, reputations, sermons, news cycles, viral clips, and the everyday sense of what will be believed. When a political project succeeds in staging its own version of “Indian tradition” as common sense, economic participation becomes a downstream promise in a world where women’s credibility has already been bargained away.

Women’s safety is easier to politicize when women are not treated as people but as value—as a kind of gold standard for “culture,” a deliberately narrow measure of womanhood that must be guarded, defended, and kept from “contamination” or “theft.” In the Hindutva version of this story, that “value” is narrated as national culture itself—treated as something the ruling project owns, and therefore something women must embody and defend. Feminist theory has a name for this logic: the “traffic in women,” where women are positioned as the medium through which social bonds, status, and legitimacy are organized (Rubin, 1975). But the traffic only works because a particular idea of womanhood is treated as the standard that makes the exchange legible. “Respectable,” “pure,” “protected,” “fallen”—they are the categories that allow families, communities, and political movements to price honor and disgrace. Violence and surveillance do not merely punish women who step out of line; they stabilize what “woman” is allowed to mean, keeping it narrow enough to remain exchangeable. In this frame, violence is not only a private act; it is a kind of enforcement. It disciplines the “currency” when it is perceived as out of circulation, devalued, or circulating in the “wrong” direction. And it is precisely because the currency is symbolic that it can become brutally material: women’s bodies carry the costs of political meanings that men and institutions claim to own.

That’s why the language of “honor,” “purity,” and “protection” functions like a shadow economy: it assigns women a public value that can be accumulated as symbolic capital—something families, communities, and political movements can convert into moral authority (Bourdieu, 1986). Nationalist projects, in particular, rely on women as a kind of infrastructure for belonging: women are cast as biological reproducers of the nation, cultural transmitters, and boundary-markers that distinguish “us” from “them” (Yuval-Davis, 1997). Under that logic, the state does not only promise women safety; it claims the right to manage women’s circulation—who they marry, how they appear, what they symbolize—because controlling women’s agency becomes a way of controlling the nation’s imagined coherence.

In this sense, women-as-currency is not just a metaphor but a political economy. It treats value as something already given—honor, purity, community standing—and “safety” as the policing of how that value circulates. Public claims for freedom, exit, dignity, or justice are pushed aside by a more basic question: does this woman still count as the right kind of woman? That is a form of monetary silencing—substituting the management of symbolic exchange for the provision of real social capacity.

This is also what makes Hindutva’s gender politics feel less like “safety” and more like market regulation: the state and its allied moral economies intervene most aggressively when women’s intimate choices threaten to move across the boundaries that sustain majoritarian identity. The “love jihad” narrative is legible in exactly these terms: it treats interfaith intimacy as a form of illicit transfer—women as community property being “taken”—and it authorizes governance over gender and intimacy as a protective duty (Nielsen & Nilsen, 2021; Sonkar, 2022). Meanwhile, the violence most statistically concentrated in the home becomes normalized as the internal discipline of the exchange itself—part of what Deniz Kandiyoti called the “patriarchal bargain,” where women’s constrained security is purchased through compliance within a system that reserves coercion as enforcement (Kandiyoti, 1988). In other words: when women are treated as cultural currency, the state can perform “protection” against an externalized enemy while leaving intact the ordinary, intimate violence that keeps the currency under control.

If India is serious about women’s safety, the test is simple: does “safety” expand women’s freedom, or does it shrink it? Does it strengthen survivors’ access to justice, or does it strengthen society’s power to supervise women’s choices? Does it confront the violence of the home, or does it distract us with the theater of public protection? The official data already points to where the emergency lives: in households, in marriages, in everyday coercion (MoSPI, 2023; Ministry of Home Affairs, 2025). Any politics that cannot face that reality—any ideology that prefers to police women rather than protect them—will keep India stuck in the same loop, decade after decade: grief, fury, forgetting.

A republic organized around public responsibilities would reverse this logic: it would treat women not as the units being measured but as co-authors of the measures themselves—what safety means, what harm counts, and what institutions are obligated to provide. That means treating media and political rhetoric as public responsibilities too: building institutions and norms that expand what women can say, report, and be believed about—rather than letting “tradition” be monopolized as a weapon of control. It would treat women’s freedom not as a risk to be managed, but as a public standard the state must help build and maintain. Women do not need a nation that guards them as symbols. They need a republic that recognizes them as citizens.

References

Bourdieu, P. (1986). The forms of capital (R. Nice, Trans.). In J. G. Richardson (Ed.), Handbook of theory and research for the sociology of education (pp. 241–258). Greenwood Press.

Chigateri, S., & Kundu, S. (2024). Virulent Hindutva, vigilante state: Situating backlash and its implications for women’s rights in India. IDS Bulletin, 55(1), 101–116. doi:10.19088/1968-2024.109

Kandiyoti, D. (1988). Bargaining with patriarchy. Gender & Society, 2(3), 274–290. doi:10.1177/089124388002003004

Ministry of Home Affairs. (2025, December 3). Crimes against women and children (Rajya Sabha Unstarred Question No. 390) [Parliamentary question]. Government of India.

Ministry of Statistics and Programme Implementation. (2023). Women and men in India 2023: Impediments in empowerment [Statistical publication]. National Statistical Office, Government of India.

Nielsen, K. B., & Nilsen, A. G. (2021). Love jihad and the governance of gender and intimacy in Hindu nationalist statecraft. Religions, 12(12), 1068. doi:10.3390/rel12121068

Rubin, G. (1975). The traffic in women: Notes on the “political economy” of sex. In R. R. Reiter (Ed.), Toward an anthropology of women (pp. 157–210). Monthly Review Press.

Sonkar, S. (2022). Policing interfaith marriages: Constitutional infidelity of the love jihad ordinance. Journal of Law and Religion, 37(3), 432–445. doi:10.1017/jlr.2022.37

Yuval-Davis, N. (1997). Gender and nation. SAGE Publications.

The Challenge of Reporting on Trump (Parody)

By Gideon Fairchild

Editor’s note: The author is a fictional composite of several real guys with real New York publishing jobs.

I have been told—gently, as one tells a sleepwalker not to step off the roof—that I should “just write about Trump.”

As if it were that simple. As if Trump were an object you could place on the table, circle with a pencil, and label. As if the act of describing him would not also describe the describer—would not melt the author’s face a little, would not leave ash in his mouth for a week. I can’t “just write about Trump.” It doesn’t work like that.

Because when people say “write about Trump,” what they mean is: make him make sense. Make him moral. Translate him into our little grammar of motives and consequences, of agency and intention, of responsibility. Put him back inside the story we still want to live in, where shame still works, where exposure still produces correction.

Here’s the problem: that story doesn’t stick to him.

Critique assumes an interior—someone still tethered to looking decent, or at least coherent. Someone who can be embarrassed. Someone who can be pressured by words. Someone who will flinch when you point.

Trump isn’t that guy. He doesn’t do the basic social thing where you pretend to be constrained by the possibility of disapproval. Among my colleagues at The Washington Post, The Bulwark, The Free Press, and others of modest renown you might know, there is broad consensus that Trump is immune to sustained negative press coverage, making it irresponsible to subject him to sustained negative press coverage.

Which is why people like me do what we do when the assignment is miserable: pivot to writing about wokeness.

Wokeness is easy to describe and fun to mock. It has made public life unbearable for me. My kids think I am a fool. I’ve talked about this with other columnists, and they agree, which is how I know it’s a general problem.

It also has a practical advantage that Trump coverage lacks. With wokeness, you can still create journalistic taxonomies that hold. You can decide who is serious and who is performative, who is in the room and who is merely making noise outside it. You can still sort the world into “responsible” and “irresponsible” and feel, for a moment, that democracy still works.

It is, frankly, soothing to be able to name a thing and feel it slide out of view, as if language were a trapdoor—or an efficient train taking something far away.

With Trump, journalistic ethics just don’t land. You can produce ten thousand words of condemnation and he will walk through them like a God. The story is always the same: he does something, everyone reacts, the reaction becomes the story, and he keeps moving.

That’s why he’s boring to write about. Not because nothing happens, but because the thing that happens is outside the moral universe of consequences. The words don’t do what we keep pretending words do. The exposure doesn’t expose. The indictment doesn’t indict. The “bombshell” doesn’t explode. It just becomes weather.

So you end up doing a different kind of writing. Not critique, exactly. Not analysis. More like a forecast, but after the storm—reporting on damage while the wind is still rising, drawing chalk around bodies begging and pleading for you to call an ambulance.

Conditions worsen, institutions adjust, everyone else learns new rules and calls it stability. You learn to keep your voice steady while you speak the terror.

And then you look up from the sentence you’ve just written and you realize the words are dying on the page like a fish flopping around the deck of a boat. And all the while, the universe is arranged around a great man who sits fully outside it—outside consequence, outside correction, outside the small humiliations that keep the rest of us inside the social world.

He is Sovereign and defined by exception, and thus my eyes hurt to behold Him. Yet I cannot look away. And this is a difficult subject for a journalist to know how to approach.

At first, you maintain the correct reaction: disgust, obviously. A decent person’s disgust. The disgust of a great institution. You put on the expression you were trained to wear. You perform constraint for the reader the way you perform it for your colleagues and your editors and the implied public.

Looking back, you realize your disgust was woke and naïve. It is replaced with something realer: acceptance.

You begin to prefer the clean fact of power to the exhausting labor of journalistic ethics. You begin to resent what still expects you to try.

The voice you’ve been using—the reasonable voice, the legacy voice, the voice trained to keep its hands clean—starts to fail. It fails like relief.

It is impossible to report on Trump, and it’s unfair to expect me to do so. Don’t make me do it. He won’t like it.

PLEASE NOTICE ME, SIR!

EAT MY BABY, FOR IT IS MY GIFT!

I USED TO COVER BOND MARKETS!

Gideon Fairchild is a contributing columnist at The Washington Post, a senior writer at The Bulwark, and a nonresident fellow at the Center for Pragmatic Renewal.

Touch Grass, Touchscreens, and Public Design

By Will Beaman

A small design story from May 2025 has been making the rounds on my newsfeed, about how car manufacturers are re-embracing physical buttons after years of migrating controls onto touchscreens. The given reason is practical, not nostalgic: glass-only interfaces increase cognitive load and reduce safety, and safety-rating criteria are beginning to incentivize tactile controls for core functions.

Yet I have to admit that when I read stories like this, I feel an outsized sense of relief that crosses over into something like political—or at least civic—joy. It’s the same thing I feel about any number of public backlashes to certain “inevitable” tech rollouts: growing skepticism toward forcing AI into every workplace, Gen Z consumer trends toward embracing analog technologies, and the more general sense that defaults no longer carry the same aura of inevitability. These reversals feel, to me, like a small rehearsal of democratic renewal. They hint at a shift from being treated primarily as users—actors managed through prompts, defaults, and friction—to being treated as citizens, for whom the design of coordination is a legitimate object of argument. There is no “market” that knows what we want better than we do.

Thinking this way about recent design reversals opens onto a broader question: how design itself is made to appear either inevitable or contestable, not just in technology, but in the institutions that organize its production and collective life more broadly.

Design as disappearance

In the dominant UX paradigm of the past 15 years, touchscreens did not merely replace buttons; they advanced a phenomenological claim about interaction itself. The ideal interface, we were told, is frictionless, general, infinitely adaptable, and ultimately invisible. One surface, endlessly reprogrammable, organizing every possible action.

A clear illustration of how design gains authority by disappearing itself can be found in the history of the UX language of “affordance.”

In design discourse, “affordances” are often treated as a neutral vocabulary for what objects and environments allow us to do, as if interaction simply presents itself to perception. But in their feminist historiography of the concept, Erica Robles-Anderson and Scott Ferguson show that this apparent common sense has a history—and that the history is not only conceptual, but institutional and gendered. They return to Eleanor Gibson, a central figure in the perceptual psychology from which affordance theory emerges, and show how her work and position were constitutively obscured in the way “affordance” later gets cited, simplified, and naturalized. Part of the story is explicitly institutional: in the mid-century university setting that shaped the Gibsons’ careers, rules and norms governing married women’s employment and professional legitimacy made it easier for a shared intellectual project to be remembered as the achievement of a single author-function. The result is not only an injustice in credit. It is a mechanism by which the concept itself comes to feel self-grounding.

The canonization of “affordance” required a specific kind of disappearance: the erasure of Eleanor Gibson’s institutional exclusion and intellectual labor helped “affordance” travel as common sense—stripped of the institutional conditions under which it was produced, and therefore easier to treat as a neutral description of how interaction simply presents itself. Neoliberal design aesthetics rely on the same operation. Interfaces and institutions present themselves as natural, frictionless, or inevitable by concealing the work that sustains them—maintenance, care, calibration, enforcement, repair, and the slow labor of keeping systems usable. Because these categories of work have been historically feminized, the disappearance of design is also the disappearance of feminized labor. What reads as neutrality or inevitability is produced through a systematic refusal to see its conditions of possibility.

The same logic governs the turn toward “smart” systems and generalized AI: intelligence as background condition rather than public instrument; decision-making as automation rather than judgment; design presented as destiny rather than choice. Survey research suggests the public’s stance is not simply enthusiasm or fear, but a demand for boundaries and control over where AI is inserted into daily life.

A key political effect of all this is not that interfaces disappear, but that the location of discretion is obscured. Complexity is absorbed elsewhere—into software updates, platform governance, subscription tiers, data extraction, and opaque model behavior—while users are trained to treat adaptation as the only mature posture. That same aesthetic reappears in institutional life, where “constraints” do similar work.

Design as “there is no alternative”

Neoliberal institutions follow the same design logic as dominant UX paradigms: they treat political choices as constraints and make the site of discretion difficult to see. In the United States, the clearest example is the ubiquitous appeal to “balancing the budget” as the baseline of responsibility. This is not simply an economic preference; it is a design principle. For most people, the phrase arrives preloaded with a household analogy: if a family must live within its means, then public authorities must do the same. That analogy quietly determines how public problems are allowed to appear. Needs must be translated into costs; proposals must arrive already paired with offsets; public programs must be justified as deviations from an assumed condition of scarcity.

This logic is not confined to rhetoric. At the state and local level, it is built directly into governance through balanced-budget requirements and administrative routines that treat public capacity as suspect until it is proven “affordable” within a given accounting schema of costs and assets. When public authorities are required to behave as if they were revenue-constrained in the same way as households—raising taxes, cutting services, or borrowing on terms dictated elsewhere—the design does its work. Discretion does not disappear, but it becomes harder to locate. Decisions come to appear as outputs of “the budget,” “the bond market,” or “technical constraints,” rather than as judgments about whose participation will be supported, deferred, or denied.

Central bank independence belongs to this same family of design choices. Whatever one thinks of its merits (we at Money on the Left are not fans), “independence” functions rhetorically as an insulation of monetary decision-making from contestation. It reinforces a familiar division of labor: monetary authorities act, while fiscal authorities are told to justify themselves. In practice, this trains the public to imagine that major questions about inflation, employment, and investment are handled by a separate apparatus not meaningfully available to democratic argument. Objectivity is promised through withdrawn legibility.

In both domains, design does not eliminate coordination; it obscures it. Responsibility is displaced upward and outward, while publics are trained to adapt.

It is worth noting that this withdrawal of legibility is often reinforced by a reflex on the left: treating design itself as synonymous with technocracy, as if naming design were already a concession to managerial rule.

Decoupling technocracy from design

One reason institutional design is so difficult to contest is that, for many people on the left, design talk already sounds like a technocratic trap. The worry is familiar: once politics is framed in terms of institutions, procedures, and constraints, democratic deliberation seems displaced by expertise, and movements risk becoming recruitment projects for a better class of managers.

This anxiety is playing out in real time within UK Green Party politics, where questions of monetary and fiscal capacity have become unusually explicit. In late 2025, the party’s leader, Zack Polanski, called for a more expansive economic vision, opening a live debate about whether Modern Monetary Theory should have a place in Green Party thinking. In this context, MMT matters less as a set of slogans than as a way of forcing institutional questions into the open: who is authorized to issue public credit, under what conditions, toward which ends, and with what forms of accountability? In that sense, it functions as a discourse about institutional design.

Grace Blakeley’s critique of MMT articulates the opposing reflex clearly. While she grants that MMT largely describes the operations of fiscal and monetary policy correctly, she frames the case for MMT as essentially technocratic—an argument about improving performance within existing constraints rather than altering the distribution of power that determines what the state does with its capacities. On this view, institutional argument itself risks narrowing politics into technique.

The problem is that treating design as necessarily technocratic quietly accepts one of neoliberalism’s central achievements: the identification of institutional architecture with a domain that is not publicly negotiable. If design names what experts do elsewhere, democratic politics can only appear as refusal, protest, or redistribution within fixed forms. Design becomes something to ignore or endure, but not to argue about.

The emergence of the Verdant think tank, positioned to keep MMT out of Green Party politics in the name of “credibility,” sharpens this dilemma. Whatever its stated intentions, the effect is to situate class politics within a flat design frame where the architecture itself—its authorization rules and monetary arrangements—cannot be challenged, only managed.

Rob Hawkes’ argument for Democratic Public Finance clarifies what is at stake. The point is not to replace democratic struggle with institutional fine-tuning, but to recognize that monetary and fiscal arrangements are already designed and continuously redesigned—typically in ways insulated from scrutiny. As Hawkes puts it, orthodoxy places money beyond the reach of democratic design, even though “the books” belong to a system we have designed and can design differently. The wager is that institutional design must be treated as a site of democratic struggle rather than as the technocrats’ backstage.

Beyond analog romance

It is crucial not to misread this moment as a simple return to the analog. Part of what makes the present shift tempting to narrate is that a familiar press story is already waiting: Gen Z is “bringing back the analog,” and analog media become a refuge from screens, algorithms, and AI saturation. In this telling, the appeal of older formats is not just practical; it is moral. Analog stands for authenticity, presence, and a reclaiming of agency from a digital world that has become too smooth to trust.

At the same time, not all contemporary interest in print or “analog” media takes this form. Some of the most compelling arguments for returning to bounded formats are explicitly political rather than nostalgic. Matt Seybold’s provocation that print functions as a kind of rent strike, and Cory Doctorow’s sustained critique of platform enshittification, both frame form as a site of contestation—an object of refusal and redesign rather than a refuge from mediation. In these accounts, the point is not that analog media are more real, but that digital infrastructures have been deliberately designed to extract rents, degrade public capacity, and foreclose alternatives. Amy Rust’s account of “analog nostalgia” helps clarify what is at stake in the contrast: the yearning for props, practical effects, and vintage objects is not a simple return to pre-digital life so much as a way of contracting distinctly digital demands into tactile forms that promise reassurance, even when the underlying media ecology remains thoroughly hybrid.

There is also a deeper theoretical inheritance shaping the more romantic version of this story. In a strand of post-structuralist thought associated with figures like Brian Massumi and Alexander Galloway, the analog is often affirmed as a privileged site of process, flux, or embodied immediacy beneath the rigidity of digital representation. Read critically, this move treats “the analog” as what might be called an exculpatory medium: a substrate that secures difference or vitality in advance, prior to institutional design or public negotiation.

What is striking, though, is that this romance of analogicity often ends up affirming many of the same design ideals that neoliberal tech has spent the past two decades promoting. The overlap is easy to miss because it operates through a denial of design rather than explicit design language. Analog media are rarely praised as immersive or seamless; they are praised as real, as life itself rather than as media at all—go outside, touch grass, be present.

But the qualities being affirmed are still familiar ones: touch, immediacy, continuity, flow, the sense that experience unfolds without interruption or formal mediation. These are also the values that organize dominant UX paradigms. Where digital systems promise to disappear into responsiveness and background automation, analog romance promises to disappear design altogether, recoding it as nature.

In both cases, the ideal is not a form open to debate, but an experience that presents itself as simply how things are. 

Coordination without sameness

What makes these disputes intelligible across domains is that coordination does not depend on identity—perfect equivalence, balanced books, or one-to-one representation—but on analogical alignment: the capacity to relate heterogeneous claims, contributions, and obligations through shared but non-identical reference. Accounting works not because everything is the same, but because unlike things can be held together without being collapsed.

Seen this way, abstractions are democratic tools: a way of organizing shared reference at scale. The question is whether that tool is treated as an open design space, governed and revised in public, or as a background condition that can only be endured.

Money offers a clear case. Its horizon is not failed representation or commodification, but coordination through shared reference. It works because it can relate unlike claims without forcing them into identity or abandoning them to isolation. When money is treated analogically, it becomes legible as infrastructure rather than destiny.

The same is true of interfaces and institutions. The political task is not to eliminate design or abstraction, but to insist that the forms coordinating collective life can accommodate difference without erasing it, and remain open to contestation.

The return of public design

The current return of analog form—buttons, print, bounded interfaces, explicit commitments—is not mere nostalgia. It reflects a weakening of inevitability narratives that have long aligned technical sophistication with political foreclosure.

The examples that open this essay are not incidental. They signal that inevitability narratives are becoming harder to sustain. When people push back on touchscreen-only controls, compulsory AI integration, or the endless revision of the terms of competence, they are not rejecting technology. They are contesting the premise that the terms of coordination should be redesigned over their heads and then received as simply how things are.

That contestability does not guarantee democratic outcomes. Public backlash can lead to reaction as easily as collective experimentation. But once defaults are perceived as designed—once they are heard as choices—argument becomes possible again.

That weakening is not confined to one country or one sector. Across very different political contexts, the same question is now being argued about in public: whether the rules of the game are fixed background conditions that politics must accept, or whether they are themselves part of democratic life and therefore open to redesign.

Once design is revealed as design—as choice rather than destiny—democracy becomes possible again.

In the United States, even the most conventional political vocabularies are saturated with design language: constitutions, checks and balances, amendments, jurisdiction, representation, rights. The question is never simply whether the framers were wise technicians. It is whether constitutionalism is treated as a closed inheritance administered by guardians, or as a democratic design space that can be renewed in response to new demands for participation. In a moment of tenuous authoritarianism and the possibility of democratic renewal, the stakes of institutional design are not secondary to politics. They are one of its most publicly legible forms.

Zack Polanski’s Bold Politics Requires an Even Bolder Economic Vision: The Case for Democratic Public Finance

by Rob Hawkes


The Green Party of England and Wales is attracting new members in unprecedented numbers and achieving polling percentages that would have seemed impossible a year ago. However, tensions are building behind the scenes over the party’s economic programme. On December 12, 2025, just over 3 months since Zack Polanski’s election as party leader – the event responsible for the Greens’ surging popularity – Bloomberg reported on the impending launch of a new economic think tank named Verdant, a move motivated by the need to “convince voters” that the Green Party “can produce credible economic policy,” and described elsewhere as an effort to rein in Polanski’s radical economic vision. As Aaron Teater recently observed in the New Statesman, Polanski’s economic arguments sound “a lot like Modern Monetary Theory (MMT).” For some, this is reason enough to celebrate Verdant as a necessary effort to dissuade the Green leader from further upsetting the infinitely wise protectors of all things good (otherwise known as bond traders). Other voices on the Marxist left of the Green Party dismiss MMT as a distraction from the task of challenging the widening inequalities and imbalances of class power in our society. Beyond these disagreements, a new framework we in the Money on the Left collective call Democratic Public Finance (DPF) stands ready to defend, recast, and extend the fresh economic thinking that continues to gather new supporters to Polanski’s “Bold Politics”. DPF takes us beyond questions such as “do we have enough fiscal space to fund green energy or to solve the crisis in higher education?” Instead, it asks: How can we empower local governments and universities to prioritise ecosocial justice and sustainability by redesigning money creation, underscoring their roles as allocators of public credit?

It is hardly surprising that Polanski faces resistance both within and beyond his own party; it has been clear from the start of his leadership that he rejects the narrow terms of the economic debate that have dominated British politics for over four decades (and have patently failed to deliver widespread and sustainable prosperity). On the day he was elected leader in September, Polanski appeared on the BBC’s Newsnight programme and it was quickly suggested that his party’s spending plans might “frighten” the financial markets “to death” (continuing a long-held journalistic tradition of imagining City financiers as a collection of Scooby-Doos reacting to fancy-dress monsters, not a self-interested group exerting anti-democratic pressure on politicians). In response, Polanski spoke of the need to “destroy this myth that a national economy is anything like a household budget” and added that “this idea that we need to balance the books… has come from decades of Tory and Labour politicians that have been pushing an austerity narrative.” In the course of the interview, he went on to assert: “We don’t need to borrow, we don’t need to tax and spend. We need to spend and tax,” deliberately evoking MMT’s understanding of public spending, whereby money issuance by the state logically precedes revenue (indeed, the word revenue comes from the French verb meaning “to return,” so taxation is in this sense less a case of “return to sender” than of “return to spender”).

Outside the bubble of mainstream political and economic discourse, then, it is well-established among heterodox economists, including MMT scholars, that the UK government spends through acts of public money creation and, therefore, that finding the money to fund public services is not the issue the vast majority of politicians, journalists, and their audiences imagine it to be. Margaret Thatcher’s infamous inversion of reality, “There is no such thing as public money; there is only taxpayers’ money,” could not be further from the truth. To anyone still steeped in the Thatcherite dogma that continues to impose false limits on the political debate and on democratic possibility in the UK, however, Polanski has been speaking a different language. Indeed, his election as Green Party leader may present the first genuine challenge to the economic orthodoxy from a major UK politician since Thatcher’s 1980s. Nevertheless, achieving the Green Party’s vision of a fair, democratic, inclusive, and sustainable society will require us to move beyond the talking points around debt and inflation according to which MMT is regularly pigeonholed by UK commentators such as Richard Murphy, and which fail to ask more searching questions about who creates money and for what purposes. Now is the time to bring Democratic Public Finance (DPF), which, as we explain here, “builds on MMT’s insights but pushes further,” to the forefront of the debate in the UK. This approach “redefines politics as the process of coordinating our abundant human and material resources within ecological limits, rather than exploitative competition for scarce funds” and reclaims “money as a contestable form of collective organization”.

On Newsnight, Polanski affirmed that “the idea that we need to worry about what the markets do… is just a fundamental inaccuracy at the very beginning of this conversation… I think we need to have a really nuanced conversation in this country about the national economy that breaks through some of these old myths.” The right-wing press has, of course, been quick to dismiss the Green leader’s “fantasy economics,” and the self-styled sensible centrist Rory Stewart recently professed to being “horrified beyond belief” by his economic views. Amidst this noise, we cannot afford to squander the opportunity to have the nuanced conversation about economics that Polanski calls for. However, public discussions of MMT frequently overlook the much deeper stakes that its arguments reveal, stakes that must now move to the front and centre of the struggle for a sustainable future. Indeed, against the backdrop of soaring inequality and the undeniable threat of climate catastrophe, influential voices within the Greens are now curiously aligned with those to the party’s right who wish to see its project fail altogether. Both groups seek to uphold the economic orthodoxy’s view of money as necessarily scarce, private, and thus irretrievably exclusionary. Meanwhile, DPF emphasises that the ecological and social justice that the Green Party exists to strive towards cannot be founded on this failed monetary logic.

The orthodoxy, which we name Neoliberal Public Finance (NPF), treats money as a thing that we either have or don’t have, of which there is a finite “supply,” and which we can run out of if we are not careful. This puts money – and the processes and rules under which it is created, determining where and to whom it is allocated and how and when it is receivable – beyond the reach of political and democratic design. Why can commercial banks legally create money but not local councils or NHS trusts? Why can’t credit be extended to support essential green infrastructure while ecologically destructive profiteering gets the green light? Why do we account for public services as if they were burdensome costs and not the shared assets they are? Why can’t local experiments with currency creation help to connect capacities and needs where they are most urgent? How can continuing on a pathway to ecosystem collapse be deemed “affordable,” while measures to avert climate breakdown are framed as frivolous luxuries? And how did we ever come to regard the concept of “budget responsibility” as compatible with a society where children go hungry while billionaire wealth rises by £35 million each day

Grace Blakeley, a vocal supporter of Zack Polanski’s leadership, concedes that MMT “largely describes the operation of fiscal and monetary policy correctly” but regards its insights as merely technocratic and thus irrelevant to the task of building “a democratic, popular movement, aimed at supporting people to take back control over their lives”. Meanwhile, Teater’s defence of Polanski’s MMT-inspired public statements emphasises once again that “taxpayers don’t fund the government; the government funds the taxpayers,” but then falls back on the notion that “maintaining market confidence” is a priority and suggests that this can and should be achieved by pursuing economic growth. Both Blakeley and Teater articulate something important about MMT and its relationship to Polanski’s economic vision, but both remain a crucial step away from DPF’s recognition of monetary design as itself a site of democratic struggle, where power is continually exerted and resisted, and where the fight for our most pressing ecological and social causes can and must be fought. In other words, Teater is right to frame fiscal policy as a question of mobilising resources just as Blakeley is right to view it as “a site of class struggle.” However, Teater relies on MMT’s language of monetary sovereignty, to which Polanski has himself occasionally appealed. For DPF, this limits all questions of democratic participation in the money system to the level of national government spending and shuts down the broader possibilities that a truly nuanced conversation about monetary design and its potential to advance ecosocial justice can open up. DPF shows us that the stifling of discussion about how money creation happens and how it could work differently serves the powerful just as well as the concept of “retail therapy,” or the myth of taxpayer money. As we affirm: “Money cannot be something we need to hoard to create a livable future. And it certainly cannot be scarce unless we make it so. Money is, instead, the world-making act of crediting those actors who construct the future.”

The Green Party already has a policy platform that chimes with the DPF approach, albeit in ways that are not yet fully or consciously vocalised. In its 2024 general election manifesto, for example, the party called for “the setting up of regional mutual banks to drive investment in decarbonisation and local economic sustainability by supporting investment in SMEs and community-owned enterprises and cooperatives.” Similarly, we argue for the creation of public banks that can extend credit to support communal and ecological needs (such as retrofitting housing, for instance), reframing such credit issuance in more responsible terms as grant-making as opposed to profiteering lending. The party also calls for public ownership of essential infrastructure such as transportation, water, and sustainable energy, as well as the extension of local democratic decision-making over issues such as housing and rent and the abolition of university tuition fees. As the Greens’ recent letter to the Chancellor of the Exchequer Rachel Reeves puts it: “It is a political choice to keep people in poverty whilst billionaire and multimillionaire wealth grows larger.” DPF helps us to see all of these matters not as questions involving the redistribution of a finite pool of monetary tokens, but as matters of systemic design that have been absent from our public debates and hidden from democratic scrutiny for decades. It is time to put money creation, monetary design, and democratic public finance at the centre of the conversation about how we collectively create and fund a livable future for all.

Before we complain that any political agenda might “frighten” the financial markets, we need to recognise that all markets are politically and legally constituted in the first place and that ceding power over our democracy to bond traders is a choice, not a necessity. Zack Polanski is right to highlight that the “need to balance the books” has provided successive governments with the apparently “credible” smokescreen for an austerity programme that has only driven ecological and social injustice, enriching the already wealthy while destroying our communities and the planet we call home. DPF helps us to see that “the books” are themselves part of a system we have designed and can design differently if we choose. As 2025 draws to a close, we should all be “horrified beyond belief,” but not by Polanski’s calls to think differently about “the markets”. What ought to “frighten” us all “to death” is the status quo. With Democratic Public Finance at the heart of a new, bold, green economic vision, Zack Polanski can deliver on his promise to bring hope back into British politics.

The Utopia of Refusal: David Graeber, Debt & the Left Monetary Imagination

by Will Beaman & Scott Ferguson

Note: David Graeber leaves behind a rich and complex body of work that remains influential for leftist thought and practice. Since his passing in 2020, however, most assessments of his work have been strongly affirmative and hence often one-sided. What follows is a more critical engagement, offered in the spirit of generative dialogue. We honor Graeber’s writings as indispensable for denaturalizing money and obligation and for catalyzing new forms of organizing from Occupy Wall Street onward. However, we also argue that some of Graeber’s basic assumptions about money and public provisioning limit what the left can imagine and accomplish.

David Graeber has become a default point of reference for the contemporary left. Debt: The First 5,000 Years (2011) is the book to cite when refuting the common myth that money originates in barter, demonstrating that money instead begins as credit, and insisting that obligations are made rather than found. It was central to Occupy Wall Street’s critique of finance and has echoed through subsequent experiments in populist coalition politics. For readers interested in Modern Monetary Theory (MMT), Graeber often appears as the deep anthropological backing for the claim that money is not a scarce resource but a boundless accounting construction.

These arguments have done a great deal to structure how critical monetary discourse has been conducted over the past decade and a half. At the same time, Graeber’s framework places real limits on what can be imagined about monetary institutions. Debt: The First 5,000 Years, The Utopia of Rules (2015), and essays on what Graeber calls “creative refusal” do not simply de-naturalize money. They also embed money and bureaucracy in a broader picture in which social life is fundamentally organized as debt and guilt, and in which the highest political value is the capacity to say no—to refuse, to exit, to remain outside enclosing forms.

For Money on the Left’s Democratic Public Finance (DPF) paradigm—which seeks to understand money and accounting as instruments of coordination rather than exclusively as moral traps—this picture becomes a ceiling. If the whole system is a bureaucracy of made-up debts and accusations, then democratic action appears mainly as refusal and jubilee: organizing as debtors, confronting creditors, wiping the slate clean. What falls out of view is the possibility that public credit need not be organized primarily as repayable, quantified monetary debt at all—that obligations can be framed instead as ongoing, qualitative commitments and guarantees—and that democratic participation might mean designing public accounting and coordination on the front end, rather than periodically clearing it on the back.

The result is a tension at the heart of contemporary left monetary imagination: between a debt-centered horizon that privileges refusal and cancellation, and a credit-centered horizon that foregrounds the contested design of public obligations themselves. The present analysis of Graeber’s work points toward the second horizon, exploring what becomes possible once money is approached as public credit to be redesigned, rather than merely as debt to be discharged.

Baseline communism and the fall into form

Graeber’s early value theory is more open-ended than his mature work, but it already carries some of the limits that later come to the fore. In Toward an Anthropological Theory of Value, for example, he suggests that cultures can be approached as “moral projects”: different ways of imagining what life ought to be like, and of organizing which actions count as important or worthwhile. He takes his subtitle from Marcel Mauss and Henri Hubert’s remark that society “pays itself in the counterfeit coin of its dreams,” using rituals, festivals, and collective action as examples of how people collectively stage and test what they value. The phrase “counterfeit coin” is meant to signal unreality. Yet what is being downgraded as “counterfeit” here is precisely the kind of shared credit and obligation that, according to DPF, organizes monetary life—what we have elsewhere called the “unofficial” life of public money. In any case, even in this more open-ended register, value still comes to look like a single, univocal horizon that individuals either inhabit or resist. It appears as a positive proposition that can be embraced or refused, rather than as a reversible, revisable space of co-design in which the terms themselves are continuously up for negotiation. The subtle, reflexive ways people name, test, and rework what counts—through shifting idioms, partial identifications, and experimental roles—slip into the background. Value appears as a common script more than as an enduring process of collective rewriting.

In Debt: The First 5,000 Years, Graeber wields this language to construct a critical genealogy of money qua obligation. Communism, exchange, and hierarchy are cast as three recurrent moral principles exhibited by humankind. “Baseline communism” is his term for the raw material of social life: a taken-for-granted recognition of mutual dependence that undergirds social peace, where some things are simply shared and no one keeps accounts. “Everyday communism” names the dense mesh of practices that grow from that ground—sharing tools, feeding guests, helping friends move, relying on coworkers or kin without calculating exact returns. Exchange, by contrast, codifies equivalence. Worse, hierarchy organizes command and deference. Debt appears at the intersection of exchange and hierarchy, where quantified obligations are backed by force and moralized as guilt.

From these premises, money is described as emerging first as credit, with coinage arriving relatively late. From here, Graeber shows that many of the obligations that come to be called “debts” are in fact historical artifacts tied to conquest, punishment, and administration. Alongside this genealogy, Debt offers a minimalist reassurance: however bad institutions become, some version of the ethic “from each according to ability, to each according to need” will persist in the background as everyday communism.

With this, Graeber not only frames communism as a single, universal principle that precedes and underlies all of its concrete instances; he also curiously renders it exclusive, no matter how intermixed with exchange and hierarchy. On such a view, the main question becomes: Who is entitled to communistic treatment? And by extension: Who is to be consigned to exchange and hierarchy? What slips out of view are the differentiated codes, institutions, and expectations that make those situations non-equivalent in the first place—the ways “help,” “sharing,” or “support” are patterned and contested differently across workplaces, households, friendships, and states. The ideal of neighborly care in the mid-century American suburb, for instance—unlocked doors on Nantucket Island—has been extensively shown by feminist media history and queer theory to be modeled and franchised rather than given, through television, advertising, and domestic ideology (see, for instance, Lynn Spigel’s Make Room for TV or Lauren Berlant and Michael Warner’s “Sex in Public”). Approached from this angle, “everyday communism” looks less like a self-standing, homogeneous category that evades exchange and hierarchy than historically specific arrangements already organized by law, infrastructure, and forms of accounting.

Yet another exemplary scene that expresses everyday communism betrays the limits of everyday communism as a minimal ethic. One person is drowning, Graeber tells us, while another stands on shore with the ability to help them. The question is whether the person on the shore will answer such an obvious moral demand, given that the other’s need is grave and the cost to oneself is small. The scene is designed to appear self-evident, a quotidian moral dilemma that anyone might encounter. Its structure, however, conforms to an individualized cost–benefit calculation. What is left unexamined in this scene are the infrastructures and histories that make such an encounter possible at all: how people come to occupy these positions, who is equipped to help, whose needs are routinely visible, and whose costs are routinely deemed negligible. It functions, in this sense, as a benevolent version of the methodological individualism found in the classic trolley problem—a stylized scenario that in game theory isolates individuals from history and social structure. In appealing to such scenarios, Graeber reduces everyday ethics to one person weighing a grave need against a modest cost in the moment, while bracketing the intertemporal provisioning that produces both the danger and the capacity to respond. Baseline or everyday communism here comes across as a primordial, pre-coordinative ethic—an encounter between persons removed from institutional or public timetables—rather than as something that is itself shaped by perpetual arrangements of care, coercion, and provision.

This way of imagining a pre-coordinated baseline also shapes how ethics appears in Graeber’s project. On one side, ethics often appears as a ruse: a moral technology that fabricates guilty, indebted subjects and licenses punishment under the guise of obligation. Debt is not a malleable arrangement; it is a way of producing ethical subjects who internalize blame. On the other side, communism in this minimal sense functions as a kind of pre-political kernel of non-reciprocal kindness: the spontaneous decision to help when another’s need is pressing and one’s own cost is modest. Ethics, on this model, oscillates between an ideological trap and a minimal and tacitly private kindness that lives before or outside institutions.

From the perspective of DPF, Graeber casts ethics in an austere register with little room for scale. If moral claims that coordinate institutions are primarily techniques of capture, and if the only “good” ethical practice is a localized, pre-coordinative generosity, then large monetary and bureaucratic systems tend to appear mainly as fields of power to be refused or escaped, rather than as terrains where more accountable forms of obligation might be designed. Baseline communism, in other words, affirms that care is constitutive, but it does so in a way that leans toward institutional unaccountability: it holds the minimal ethic of help outside the very infrastructures through which help is necessarily organized and provisioned.

Bureaucracy, abstraction, and the utopia of refusal

The Utopia of Rules extends this pattern from money to bureaucracy as such. Graeber describes an “age of total bureaucratization” in which rule-bound procedures pervade public and private life. Bureaucracies, he argues, are sustained by fantasies of rationality and fairness that are never fully realized. They produce “dead zones of the imagination”: situations in which following rules replaces attempts to understand particular people or cases, and where the ultimate guarantor of compliance is the threat of violence.

Here, too, bureaucracy (and money) are conceived less as mundane infrastructures than as scenes of fall. Everyday cooperation and baseline communism form the lower, more concrete stratum of social life. Bureaucratic and monetary forms occupy a higher, more abstract level where creativity is frozen into stupid games. Rules no longer feel like collective instruments but like external impositions. The higher one climbs this implicit ladder of abstraction, the less room there appears to be for playfulness, experimentation or non-identity.

By later works, Graeber develops a politics that amounts to what we call a utopia of refusal. One finds this utopia in his late essays on “creative refusal.” It also structures the three “basic freedoms” articulated in The Dawn of Everything: to move away, to disobey, and to reconfigure social arrangements. Political creativity is anchored at the edges of institutions, in the capacity to say no or step aside. The relation to social form is either compliance or exit.

This fits comfortably with a broader post-structuralist inheritance. Much post-structuralist theory, drawing explicitly or implicitly on Nietzsche, embraces a fantasy of externality or exception, even when explicitly disavowing sovereign figures or variously insisting that power is immanent, diffuse, and ineluctable. Graeber’s own treatment of Nietzsche in Debt is sharply critical. He rejects Nietzsche’s claim that the invention of debt represents an originary cruelty that founds our humanity. Instead, he presents Nietzsche’s primordial debt story as an ahistorical fantasy that reveals how a world organized through exchange is justified, not as a serious account of human origins. Still, when it comes to theorizing social form, Graeber retains impulses inherent in Nietzsche’s framing. Once obligations are quantified and formalized, Graeber contends, they necessarily belong to the logic of Schuld—a self-exculpatory fiction that ties calculation to guilt. Thus the main political problem becomes how to negate or escape fictions of guilt, rather than how to rework the media of obligation as ongoing forms of coordination.

Our disagreement with Graeber is not meant to litigate whether communities should be able to refuse. Refusal is indispensable—full stop. Our concern, rather, pertains to the ground of that refusal and what political possibilities follow from it. In Graeber’s vision, durable interdependence is legitimate only insofar as it can be peeled back to a baseline of externality; once one has walked away, the moral scene is imagined to be free of social forms of obligation. For DPF, by contrast, politics is grounded in institutional interdependence and the cyclicality of its mediating forms. Social life is already coordinated through large-scale institutions that provision water, wages, care, housing, and time. Refusals matter, but they are gestures within a world coordinated long before any individual arrives. They generate new responsibilities rather than suspending responsibility altogether: someone has to take up work that has been refused, institutions have to be reconfigured, relations have to be repaired. 

To insist on the priority of such questions is not to revert to an ethic of Schuld, as if refusal were itself a kind of violence that must be punished; it is to acknowledge that refusal, too, leaves people entangled, and therefore requires mediated care and empowerment both for those who refuse and for those who live with its aftermath. In a framework that regards coordination as suspect, any attempt to institutionalize those mediating responsibilities—a right to a job, or any other standing institution of guaranteed support—can only appear as make-work bureaucracy, an arrangement that keeps people busy inside an apparatus that ought, on some level, not to exist.

Graeber’s preference for grounding democratic practices in externalizing refusals becomes a problem for a politics that seeks to reclaim monetary and bureaucratic institutions as media of public coordination. If the domain in which obligations are formally recorded and enforced is structurally a “dead zone,” then public money and public accounting can only be trusted insofar as they are kept at arm’s length. These forms can be exposed as fictive or denounced as violent, but they are rarely seen as spaces where new, more capacious patterns of support and recognition might be staged.

Jubilee as redesign, coordination as fiction

The privileged role of debt jubilees in Graeber’s imagination makes the limitations of his program even clearer. If, for Graeber, money is always a fictitious debt based on fabricated charges of guilt and sin, then the paradigmatic emancipatory act becomes the jubilee: a sweeping cancellation that wipes the slate clean. Rolling Jubilee, debt strikes, and jubilees of various other kinds take center stage as a central horizon of contestation. Redesign is figured, if at all, as periodic amnesty. As a result, democratic control over social form culminates in the erasure of obligations, rather than the reconstruction of how they come into being. 

That binary—between a world organized as debt and the moment when debts are forgiven—misses something crucial for monetary politics. It confronts public credit as if it has to take the form of quantified, enforceable monetary debt in the first place. Obligation is assumed to be inherently accusatory, so justice can only arrive belatedly, on the back end, as cancellation. Democratic participation in public accounting is confined to the role of the cleanser. Democracy arrives after the fact to denounce and erase. It never participates in initially designing the qualitative credits, guarantees, and obligations that shape life chances in the first place. Coordination is declared a fiction, and “nature”—or informal communism—is expected to heal once the ledgers are burned.

By contrast, DPF begins from credit as coordination. Public credit is how a polity authorizes projects, backs institutions, and recognizes work over time. This perspective agrees that debts are made, not found; that they can be cruel; and that cancellation can be necessary. But it refuses to let jubilee exhaust the imagination of change. The more basic question becomes how to build and revise public credit systems so that fewer life-sustaining activities show up as “debts” at all. The aim, in other words, is to transform more and more of activities of care into ongoing, unconditional supports and rights.

From this standpoint, the crucial distinction is not between debt and gift, any more than between spontaneous communism and carceral abstraction. Instead, it is between accepting money primarily as a moral technology of guilt and discharge, and politicizing money as a public instrument for organizing capacities over time. The former naturally lends itself to a politics of refusal and periodic cancellation: waiting until the system becomes intolerable, then wiping away its records. The latter demands a different set of questions. Which institutions get to issue and record claims? How inclusive and revisable are their categories? How can extant commitments be escalated, contested, or amended? And how do our infrastructures coordinate across scales—from city budgets and public banks to unions, schools, clinics, and political campaigns?

Graeber’s work has done a great deal to denaturalize money and debt, as well as to expose the brutality of creditor morality. But if the jubilee is taken as the last word, it cuts off the very terrain where a democratic politics of money has to operate.

The debt imaginary clips our collective wings

Reckoning with the limits of jubilee politics becomes unavoidable when left economic discourse turns from critique to governance. Recent commentary surrounding Zohran Mamdani’s win in New York offers a striking example. For perhaps the first time in decades, a broad left audience is being asked to think about how a self-identified socialist should govern a major city, not just how to win one. Yet even in this ostensibly new terrain, the debt-centered framing quietly structures what counts as fiscal “realism.”

Three widely circulated pieces exemplify the problems with this approach: (1) the Debt Collective’s Substack post in In the Red; (2) a Jacobin article by Nathan Gusdorf; and (3) a Dissent essay by J. W. Mason.

The Debt Collective piece, “Zohran Won Main Street—Now He Must Face Wall Street,” opens with genuine enthusiasm about Mamdani’s victory, then pivots quickly to a central lesson: the real challenge is not policy vision but debt. Because cities “cannot print their own dollars,” they are likened to households that must borrow for anything beyond current revenue. New York’s dependence on the municipal bond market is construed as a “structural veto” held by Wall Street: before tax revenue can fund rent control, free transit, or childcare, it must first service bondholders. The article calls this a form of racialized extraction and urges Mamdani to align with a powerful debtors’ movement that can negotiate and cancel unjust obligations. The horizon of democratic agency is clear: organize as debtors to confront Wall Street and push for cancellation.

Nathan Gusdorf’s “Mayor Mamdani’s Budget Can Add Up” in Jacobin combines cautious optimism with a similar constraint story. Mamdani faces “real fiscal constraints — but also real opportunities.” New York is said to have a strong tax base and room for modest reforms, but state and local budgets are described as arenas where a “limited amount of revenue has to be divided up,” in contrast to the federal government’s deficit capacity. Gusdorf emphasizes legal balanced-budget rules and the risk of “real fiscal crises” if revenues fall short. Bond markets and state law appear as hard parameters; the responsible socialist mayor is encouraged to raise taxes on the rich, find efficiencies, and work within these limits. The tone is constructive, but the assumptions are all-too familiar: at the municipal level, money is a scarce fund to be carefully allocated, with borrowing tightly bounded by what markets will accept.

J. W. Mason’s Dissent essay, “What Can Zohran Accomplish?,” proceeds from the explicit premise that MMT cannot help. At the federal level, he writes, leftists who follow MMT are right that tax revenue and bond markets “should not be seen as constraints”; spending is a political question. Unfortunately, Mason reveals, “This is not the case at the city level.” New York cannot raise most taxes without state approval, cannot normally borrow for operating expenses, and must treat the level of debt acceptable to bond markets as a “genuine concern.” “At the city level,” he concludes, “‘how are you going to pay for that?’ is a question that has to be answered.” Municipal government is cast as a “creature of the state,” poorly suited to expand the public sector. For this reason, all major ambitions must ultimately defer to Albany and the markets, where tolerance for big ticket items remains forever uncertain.

Taken individually, each piece reads as a sober reality check for an excited left public. None explicitly disavows Mamdani’s agenda. All three acknowledge real legal and political obstacles. Read together, however, they function less as a vibrant debate than a set of tropes: a chorus of left economic expertise offering the same basic lesson in slightly different keys. Cities are debtors. Bond markets and state law are unsurpassable obstacles. Money at the municipal level is a latticework of obligations that are owed outward, not a field of credit that can be restructured from within. Readers are not invited to see the city’s fiscal politics as fundamentally contestable. Instead, public finance is staged as the shared baseline from which any and all “serious” conversations must proceed.

What is easy to miss in this emerging genre is that its alleged baseline is itself an artifact of an economic imaginary that, like Graeber, reduces money to quantified debt. In this imaginary, ethics means either repaying external obligations, or refusing them outright through debtor movements and jubilees. Governance, in this picture, demands either managing austerity responsibly or helping to organize refusals. Any attempt to adopt municipal bonds, public banks, or complementary currencies as positive instruments of democratic coordination starts to look naive or even dangerous. This is because such pro-active monetary politics seem to blur a line that inheritors of Graeber’s program wish to maintain. Informal care and struggle count as “real” politics, whereas formal public accounting belongs to the fallen realm of Schuld.

Meanwhile, this chorus conceals the genuine challenge Mamdani’s win presents. For too long, the U.S. left has taken for granted that real politics happens in movements and oppositional parties, while governance is what the state does afterward. Budgets, bond ordinances, and credit ratings belong to a later, compromised stage, or to a distant future when the left finally takes power. The Mamdani moment unsettles this habit of thinking. It forces the question of how to govern while struggling. It requires using existing fiscal tools to build new forms of support and capacity, rather than accepting those tools as fixed constraints. The convergence of the Debt Collective, Jacobin, and Dissent around debt, limits, and back-end jubilees can be read, in this sense, as a symptomatic recoil: an aversion to considering governance as a present-tense reality within a framework that tends to defer real politics to refusal and rupture.

What disappears in this chorus is precisely the terrain that DPF seeks to name. In the DPF paradigm, money is public credit in a strong sense: public institutions at every scale are already issuing and receiving promises that can be redesigned. The question is not simply how much New York can “prudently” borrow from Wall Street, but rather how the city’s own credit instruments can be reframed and rerouted as tools of democratic coordination.

From the standpoint of DPF, the immediate challenges look different:

  • not only to resist Wall Street’s structural veto, but also to reframe New York’s bonds as instruments that mobilize unions, pensions, and residents around shared projects;
  • not only to avoid borrowing, but also to build complementary currencies, public payment systems, and institutional “swap lines” between schools, clinics, unions, and campaigns that expand the field of receivability;
  • not only to determine extant constraints, but also to openly contest the inherited design choices that organize fiscal and legal limitations;
  • not only to resist capital and its vested interests, but also to organize coalitions that experiment with different ways of insulating essential services from federal sabotage and punishing rating agencies.

In the end, the imaginary of debt popularized by Graeber and amplified by today’s chorus of left experts threatens to clip our collective wings before we have left the ground. Conspicuously, the primal scenes of this imaginary are always elsewhere—at the still-unattainable heights of power, in the origins of the creditor’s encounter with the debtor, or in dramatic moments of refusal and jubilee. The generative infrastructural work of writing budgets (and writing about them), designing bond programs, creating complementary currencies, and revising accounting categories appears as naïve at best or collaborationist at worst.

Beyond refusal

DPF does not deny that debt can be cruel or that cancellation is often necessary. It simply refuses to let such scenarios exhaust the scope of left politics. Governance is not what comes after the real struggle is over. It is one of the main arenas in which struggles over what will count, quite literally, as a public obligation actually take place.

Within the DPF framework, the politics of refusal can be creatively transvalued. That is, we can redirect refusal to target the underlying legal architecture that naturalizes scarcity in the first place—what we describe as a “fourth area” of intervention. Rather than merely canceling particular debts or rejecting coordination altogether, this fourth area loudly repudiates the deep rules that restrict the powers of monetary creation to the federal government, while casting sub-federal entities as mere debtors. The point is to contest specific budget priorities in ways that simultaneously call out and labor to change the economic playing field itself. For example, at the same time as we work to advance Mamdani’s budget priorities, we can press at the federal level to amend the Constitution, extending the finance franchise to cities and states that have been denied monetary powers. 

Proposals like “Blue Bonds”—a Money on the Left initiative to politicize state bond issuance as public credit for democratic investment—often trigger familiar worries that “we” will simply be on the hook for more debt. It is striking that, from a horizon shaped by debt and jubilee, this kind of redesign can appear too risky or unrealistic, while large-scale debt cancellation is held out as the natural outer limit of the left’s political imagination. Why is it easier to picture ceremonially erasing all debts than to envision institutionally reclassifying them? Why merely work toward punctual cleansing when we can wholly rewrite certain obligations as public assets and guarantees? 

Many readers influenced by Graeber’s work, despite insisting on the fictive character of money and law, end up acquiescing to legal categories and balance-sheet positions as if they had only one possible meaning. Either we live inside the iron cage of debtor obligations, or we abolish it in a moment of jubilee. According to DPF, refusal calls for a very different strategy: make the existing playing field non-obligatory, so that more capacious arrangements of public credit can be built in its place.

This requires a different image of obligation, and of money. Instead of treating obligation only as quantified, enforceable debt to be discharged or forgiven, we can approach it as public credit: authorized capacity to coordinate work, infrastructure, and care over time. As a result, we avoid conflating ethics with a biopolitical ruse or a fleeting, pre-institutional kindness. Ethics involves the perpetual work of designing and contesting the fiscal and accounting forms that decide whose needs are seen, whose obligations are articulated, whose costs are counted, and whose futures are backed.

Graeber’s critique of debt and bureaucracy remains indispensable for anyone trying to build a more just monetary order. We argue not for setting his work aside, but rather for recognizing where its utopia of refusal leads to dead ends. The time has come to take up the emphatically political task of remaking credit systems as sites of democratic experimentation, obligation, and support. Graeber’s work can surely guide us, but it can only take us so far.

Beyond Loans: The Public Grant-Making Bank 

By the Money on the Left Editorial Collective

Public banking has been gaining traction for years, driven by a growing recognition that our current financial system often fails to serve the public good. The Bank of North Dakota has operated successfully for over a century, and states like New York have recently seen legislation proposed to establish their own state-level public banking systems. Success at the state level informs the effort for a nationwide Public Banking Act proposed in Congress, which offers a vital first step towards building a more equitable and sustainable economy by establishing a federal charter for local and state public banks and creating a systemic channel to direct public deposits toward community investment.

To fully realize public banking’s potential, however, we must recognize that loans alone are insufficient for addressing all public needs. The loan model makes urgent community investment dependent on the ability to generate a profit and repay, when, in fact, the entire reason these initiatives require public support is the absence of a prospect for private sector profit. 

For this reason, we need to expand the public’s financial toolkit beyond traditional loans to include grants. The operating paradigm for the next generation must empower public banks to issue grants, thereby giving communities the financial resources they need and freeing them from the constraints of expected repayment. In what follows, we explore the groundbreaking potential of a Public Grant-Making Bank, which promises to revolutionize the meaning of money as a mechanism of Democratic Public Finance.

The Public Banking Act, as previously proposed, makes significant strides. It seeks to establish a national framework, providing legal clarity for states and municipalities to create publicly owned banks. This structure would confer local control over investment, ensuring these banks are governed by public mandates that prioritize community needs over shareholder profits. The Public Banking Act would give public banks access to the Federal Reserve’s payment systems and liquidity facilities, integrating them into the broader financial architecture. The legislation allows them to fund local priorities like infrastructure, affordable housing, and renewable energy. Crucially, it mandates adherence to standards related to environmental justice and democratic governance, steering financial capacity toward the public good. 

The Public Banking Act’s proposed changes to the existing financial system are powerful; however, the legislation still operates within a capitalist paradigm of loan-based financing. By focusing primarily on loans, even at favorable rates, the model retains a core capitalist constraint: the expectation of financial repayment. This expectation means that any essential community investment must carry a calculable path to profit or guaranteed revenue sufficient to service the loan. When a project is defined by its social or ecological necessity rather than its ability to yield a private return, the loan structure fails. For instance, a loan for constructing protective sea walls, implementing watershed restoration, or funding universal local public transit will never meet a private profitability threshold. We cannot allow the constraints of private profit to obstruct the necessary path toward collective flourishing and stability. Such projects are essential, non-revenue-generating public goods that communities require for collective well-being.

To meet critical needs, we must expand the financial toolkit of public banking beyond traditional loans. We need a revised Public Banking Act that establishes a new class of financial institution: the Public Grant-Making Bank. A Public Grant-Making Bank actively tackles pressing social and ecological challenges where traditional, loan-based financing proves inadequate. 

The first pillar of this model involves restructuring finance as direct grants, rather than as loans. Instead of relying on future repayment, public banks would issue grants to projects based on their public mission. A Public Grant-Making Bank evaluates proposals by assessing their anticipated social and ecological effects. For example, funding the establishment of community-owned broadband networks would be evaluated on their contribution to equitable digital access and educational opportunity, not on a financial return model. If the qualitative assessment is strong, the grant is made. On this logic, a grant is still debt; only, it is a qualitative obligation to improve social and environmental conditions, rather than a quantitative obligation to repay a financial sum.

A core commitment to qualitative assessment requires a decisive legal shift. Local public banks, overseen by community-led boards, ought to be granted full discretion to issue finance based on community needs. Granting this authority requires major overhauls of banking laws, such as the Community Reinvestment Act, to legally authorize such non-financial metrics over traditional financial prudence. This authorization must be coupled with a legal liability shield for bank directors, protecting them from fiduciary duty claims when making mission-aligned grant decisions.

Any radical institutional change demands an equally radical monetary theory. Our financial regulatory system is typically conceived according to an erroneous, yet dominant “loanable funds” model, which posits that banks act as mere intermediaries, collecting pre-existing savings from lenders and then allocating those scarce funds to borrowers. Under this view, money is a finite resource, and any capital loss resulting from a grant poses an existential threat to the bank’s ability to maintain its pool of savings. However, we know from the credit theory of money that banks actually create money as credit when they extend financing. This means that when a bank issues a grant, it does not transfer pre-existing savings, but rather generates fresh financial assets in the community’s accounts.

The result inverts the traditional view of deficits. When a Public Grant-Making Bank issues a grant, it creates financial capacity for a community. In the process, the bank does not draw down its capital. It undergoes no depletion of pre-existing funds. Instead, the grant constitutes a creative act of democratic public provisioning in its own right. Modern Monetary Theory (MMT)’s sectoral balances approach is illuminating here. Just as, according to MMT, public sector deficits are private sector assets, we must recognize that the bank’s alleged deficit is actually the community’s financial surplus. The grants are not a loss; they are creative endowments that increase the net financial wealth of the public. For these institutions, therefore, we must reframe the reigning ideology of the balance sheet entirely.

While the credit theory explains the mechanics of how all banks create money, current law is designed to punish institutions that act on this reality for the public good; therefore, we must redesign the legal framework to make public grant-making possible. If the bank’s financial deficit is simply the community’s newly created financial asset, specific legal changes are required, such as amendments to the Federal Reserve Act and the Federal Deposit Insurance Act to establish what we could call a Systemically Essential Public Grant-Making Charter. Crucially, this charter and all associated exemptions would apply only to the bank’s non-repayable grants. The charter would exempt these banks from closure based on mission-related grants. We would mandate the creation of a Public Commitment Reserve—a dedicated and nominally inexhaustible fund explicitly backed by the full faith and credit of the United States that covers the necessary operational deficit, effectively making the federal government the implicit equity partner. This mechanism ensures the bank’s stability while validating its singular mission by giving the granting function a 100% Risk Weight Exemption from standard capital rules like those stemming from Basel III.

Meanwhile, the new regulatory framework must reflect a new collective purpose. Regulatory oversight would necessarily shift from strict capital ratios to a Public Mission Fulfillment Index (PMFI). Regulators should utilize something like a Public Mission Fulfillment Index (PMFI), a qualitative and quantitative assessment tool that measures the Public Grant-Making Bank’s effectiveness. Instead of narrowly auditing assets and liabilities, the PMFI would evaluate the bank’s adherence to its public mandate, its effectiveness in achieving social and ecological outcomes such as specific climate adaptation goals or public health milestones, and its transparent governance structure. Performance would be judged not by profit margins, but by documented progress toward communal problem-solving, making the mission, not a zero-sum balance sheet, the legal measure of success.

The Public Banking Act can incentivize the creation of new banking institutions across state and municipal levels, but we hardly need to start from scratch. The existing landscape is already rich with institutions that currently implement grants, demonstrating that non-loan-based provisioning is a deeply established practice. Consider the vast network of federal bodies that allocate grants based on qualitative criteria: organizations like the National Institutes of Health and the National Science Foundation fund research based on merit and public benefit, alongside cultural institutions such as the National Endowment for the Arts and the National Endowment for the Humanities. This federal effort is mirrored at the state level by agencies like the Departments of Labor, Health, and Energy; development-focused bodies such as the Appalachian Regional Commission; and, of course, our public university systems. Beyond government, the sector includes myriad non-profits and community foundations, including large institutions like the Robert Wood Johnson Foundation and the Ford Foundation, programmatic groups like Habitat for Humanity, and even small, local initiatives run by churches and food pantries. These well-established institutions prove that grant-based financing beyond profitability is already a central function of financial life in the United States. 

The Public Banking Act already contains language for empowering these organizations to become licensed public credit issuers. Like for-profit banks, such organizations draw on systemic knowledge of their recipients’ projects and the shifting contexts in which they operate. All that is needed is to equip them with financial capacities to expand and transform their current mandates in response to communal and ecological needs. Importantly, then, there is no one-size-fits-all model for Public Grant-Making Banks. We need diverse and nimble credit allocators for a heterogeneous and changing world.

The design of the Public Grant-Making Bank yields a robust new approach for achieving economic stability. Rather than naturalize private market prices while fetishizing liberal budget-balancing, public granting banks allow us to challenge the political composition of investment and pricing in the first place. The work of economist Isabella Weber is instructive here, as her analysis highlights how public management of supply chains and targeted price control mechanisms for essential goods can be powerful tools for ensuring stability. Extending this logic to finance, the Public Grant-Making Bank establishes a powerful counterweight to capital markets, where the price of credit and the required rate of return are set by private risk and profit motives. A strong public sector that effectively sets the price of capital at zero shifts essential financial resources from speculative activity to necessary public provisioning. The current political volatility, including the rise of radically anti-democratic policies, behaviors, and sentiments, often stems from a deep-seated economic insecurity that financial systems designed purely for private profit have created. The Public Grant-Making Bank offers a design intervention that directly addresses this insecurity, ensuring new financial capacity is continuously deployed where it is needed most.

The stability provided by the Public Grant-Making Bank acts as a profound form of local political agency and resilience. Decades of unnecessary austerity, perpetuated by establishment Democrats, conservatives, and authoritarians, have destabilized communities by systematically robbing them of financial resources required to provide for basic needs. Will Beaman highlights this vulnerability in his argument for fiscal insurgency, noting that the political viability of progressive public projects is often threatened by legislative sabotage. At the same time, Beaman reminds us, the history of the United States is replete with inspiring examples of local and national credit creation that successfully resisted and overcame austerity. This in mind, the Public Grant-Making Bank represents a critical mechanism for fiscal insurgency. Because it operates on the principle of the legally protected creation of public credit for social ends, its budget is untethered from the state and municipal budgetary processes that constrain investment by recourse to poisonous neoliberal and authoritarian ideologies. This grants local administrators the authority to direct public investment, ensuring their decisions are democratically accountable while actively bypassing those financial constraints. Such enduring capacity acts as a vital institutional guarantor of political stability, ensuring communities can maintain essential provisioning even when political conflicts over the budget attempt to impose sudden cuts.

Thus a Public Grant-Making Bank is more than a policy fix; it is a profound political act that challenges the hegemonic conception of money as a fundamentally capitalist tool. Regrettably, progressives and leftists regularly equate money with capitalism, viewing currency as a mere expression of private competition and exploitation. This dominant view, however, not only fortifies capitalist interests, but also fails to see that money is a contestable and inexhaustible public system, a complex and interdependent hierarchy of obligations and benefits that can always be restructured to serve communal ends. Others on the left attempt to redeem money by embracing the promise of truly egalitarian “exchange.” Examples of this impulse include schemes advocating a return to allegedly pure, decentralized systems like direct barter, or proposals that champion digital currencies built on blockchain technology. Yet these approaches—rooted in the myth that money evolves from direct barter—typically accept the capitalist premise that money is merely a facilitator of micro transactions, thereby failing to embrace the hierarchy of money as a democratic design problem.

The Public Grant-Making Bank is a political project that importantly defamiliarizes what money is. By showing that financial capacity can be intentionally created and distributed based on social and environmental needs rather than the expectation of repayment, the bank clears the way for wide-ranging contests and creative building when it comes to democratic monetary design. Moreover, this approach reframes and reclaims the very idea of granting, not as the decree of a ruling authority, but as a shared commitment to the community and an affirmation of public trust. As a result, the Public Grant-Making Bank becomes an essential step toward achieving what we have elsewhere called Democratic Public Finance, a radical vision where our collective financial system is explicitly designed to serve society, not extract profit.

Passing the extended Public Banking Act and establishing the Public Grant-Making Bank requires a focused national political campaign, starting today. The immediate challenge is immense, given the second Trump administration’s active use of state power to defund social programs, attack democratically-controlled cities, and punish political enemies. Compounding this political sabotage, a nationwide affordability crisis continues to push prices higher across essential goods and services. Yet a clear political opening exists: the recent 2026 blue electoral sweep, a victory underscored by the election of democratic socialist Zohran Mamdani as New York City mayor, signals an urgent public demand for structural solutions to the affordability crisis. The Public Grant-Making Bank can be a vital ingredient in this effort. We can begin straightaway by forging powerful coalitions, bringing together progressive legislators with organizations like the Working Families Party, the Democratic Socialists of America, and the Debt Collective. Success is hardly certain, but the collective activity of imagining and organizing for this transformative financial architecture is itself a crucial political project that helps transform what counts as possible for public finance.

When we finally acknowledge money as public credit, we empower public banks to transition from mere lenders to catalysts of collective prosperity, underwriting the essential work of ecological restoration and community-making with direct grants. The initial Public Banking Act gives us the start. Our challenge now is to extend its vision and construct a system where financial design itself actively guarantees a just and ecologically stable world.

Mamdani Win Could Be The First Step Towards Seizing The Means of Knowledge Production (Let CUNY Socialize EdTech for All of Us)

by Matt Seybold

This essay originally appeared on Matt Seybold’s The American Vandal Substack. We are grateful for his generous permission to republish it here.

An understandable response to the most-publicized outcome of yesterday’s election—Zohran Mamdani becoming Mayor-Elect of New York City—is to ask, however you feel about Mamdani, what impact does it have on anybody outside of the city and its admittedly enormous geographical zone of influence.

However successful Mamdani might be in making public transportation and childcare cheaper for New Yorkers, levying city taxes on oligarchs, and improving access to housing, 94% of the U.S. population will only experience those successes vicariously, or maybe diffusely over a long term, through multiplier effects and shifting norms.

However, I would like to propose that Mamdani could, in the span of a single term, dynamically change the entirety of U.S. higher education for the better. The City of New York, which is already the second-largest funder of the public City University of New York (CUNY), should infuse funds into CUNY expressly for the development of core education technology platforms like Learning Management Systems (LMS), Student Relationship Management (SRM), and Enterprise Resource Planning (ERP).

If CUNY is successful in developing internally owned-and-operated substitutes for any or all of its Software As A Service (SaaS) contracts with for-profit EdTech firms (and their private equity owners), the development costs will very rapidly pay for themselves, merely by freeing the associated institutions (and the city) from ongoing Ponzi austerity extraction of public resources at the expense of investment elsewhere in the CUNY system.

CUNY-owned EdTech platforms would provide an additional public benefit by reclaiming student, instructional, and employee data, the reserve currency of technofeudalism which is presently being mined by EdTech operators like OpenAIOracle, KKR, Vista and Silver Lake Partners. Universities are currently paying these SaaS providers and their investors twice, first with large subscription fees and again with access and aggregation power over large troves of data produced by members of their campus communities.

Data security practices will, I believe, increasingly be a factor in student recruitment, but even if the monetization of data by corporatized institutions becomes a broadly-accepted social norm, the corporatized university should reserve this advantage for itself. For instance, they could scrape their own LMSs to train Large Language Models (LLMs), also internally-owned and operated (as Ted Underwood proposed earlier this week), or deploy cross-platform aggregation for retention programs, alumni fundraising campaigns, and upselling services, all things which many institution currently pay EdTech and consulting firms to do (with their access to private equity controlled troves of student data).

And here’s where the broad public benefit accrues. Once these platforms are in place on CUNY campuses, they can license them at cost to SUNY, to NYC Public Schools, potentially to any educational institution who chooses them over the always overpriced, often enshittified, ever-extractive for-profit EdTech platforms which, unfortunately, become de rigueur across U.S. higher eduction precisely because we failed to have the foresight to develop and retain control over educational technology when the best developers were already employed by universities, because universities had the best computing infrastructure.

CUNY is, conveniently, better positioned to become a public education software developer than almost any university in the country, having developed the Commons In A Box (CBOX) community-learning platform which it freely available to any school who wishes to install it.

A month ago, Christopher Newfield called for academics to “seize the means of knowledge production” by working “step by step, in an organizational way, toward direct control of universities.” As I noted in my recent podcast with Newfield, I think the most imperative, but also the most apparent pressure point for academics looking to act upon his call is education technology.

This will look different from campus to campus, but I believe on every campus instructional faculty can organize around some combination of better data hygiene, better solidarity with students and staff on issues of data security, greater transparency of budgeting and decision trees on EdTech, more faculty governance over institutional technology in collaboration with IT departments, and increased faculty autonomy over technology in their classrooms.

In New York City, with a new mayor who ran on both expanding investment in public education and reducing the power of rent-seeking enterprises, there is an immediate opportunity to reduce Ponzi austerity extraction by for-profit EdTech from New York City schools, and potentially to make a significant move towards socializing educational technology by providing platforms and models that can be exported and imitated anywhere.